Leonard Bernstein - Complete recordings on Deutsche Grammophon & Decca Part 2 [121 CD Box Set] (FLAC)
CD 21 - Bernstein - 00:42:33
Leonard Bernstein:
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Ballet «Dybbuk» (42:33):
I. Opening hymn (03:26):
01. «To the poem» (Frank O'Hara) (03:26)
II. 3 Solos (10:58):
02. «The pennycandystore beyond the El» (Lawrence Ferlinghetti) (01:55)
03. «A Julia de Burgos» (Julia de Burgos) (03:34)
04. «To what you said» (Walt Whitman) (05:28)
III. 3 Ensembles (09:44):
05. Duet: «I, too, sing America» (Langston Hughes) – «Okay "Negroes"» (June Jordan) (03:51)
06. Trio: «To my dear and loving husband» (Anne Bradstreet) (03:58)
07. Duet: «Storyette H. M.» (Gertrude Stein) (01:54)
IV. Sextet (02:23):
08. «If you can't eat you got to» (e. e. cummings) (02:23)
V. 3 Solos (11:29):
09. «Music I heard with you» (Conrad Aiken) (03:31)
10. «Zizi's Larment» (Gregory Corso) (02:32)
11. Sonnet: «What lips my lips have kissed ...» (Edna St. Vincent Millay) (05:24)
VI. Closing hymn (04:30):
12. «Israfel» (Edgar Allan Poe) (04:30)
Recording: Washington D.C., John F. Kennedy Center, November & December 1977
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Clamma Dale, soprano (tr. 1, 3, 4, 6–8, 12)
Rosalind Elias, mezzo-soprano (tr. 1, 4–6, 8, 9, 12)
Nancy Williams, mezzo-soprano (tr. 1, 4, 6, 8, 11, 12)
Neil Rosenshein, tenor (tr. 1, 4, 8, 10, 12)
John Reardon, baritone (tr. 1, 2, 4, 5, 8, 12)
Donald Gramm, bass (tr. 1, 4, 7, 8, 12)
National Symphony Orchestra, conductor Leonard Bernstein
CD 22 - Bernstein - 00:50:51
Leonard Bernstein:
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Divertimento for orchestra (14:35):
01. I. Sennets and Tuckets. Allegro non troppo, ma con brio (01:18)
02. II. Waltz. Allegretto, con grazia (02:13)
03. III. Mazurka. Mesto (molto moderato) (01:56)
04. IV. Samba. Allegro giusto (00:59)
05. V. Turkey trot. Allegretto, ben misurato (01:56)
06. VI. Sphinxes. Adagio lugubre (00:52)
07. VII. Blues. Slow blues tempo (01:39)
08. VIII. March. The BSO forever. Andante (In memoriam) – Doppio movimento (alla Marcia) (03:42)
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09. A musical toast. Allegro con brio (02:21)
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10. «Slava!» (A political overture). Fast and flamboyant (04:14)
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On the town: 3 dance episodes (10:25):
11. I. The great lover. Allegro pesante (01:50)
12. II. Lonely town. Pas de deux. Andante – Sostenuto (03:40)
13. III. Times square: 1944. Allegro (04:55)
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14. «Facsimile» (choreographic essay for orchestra) (19:14):
Molto adagio – Più andante – Moderate waltz tempo – Sostenuto assai – Allegretto – Subito allegro – Andante – Adagio
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Live recording: Tel Aviv, Frederic R. Mann Auditorium, May 1981 (1–9, 11–14), October 1978 (10)
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Israel Philharmonic Orchestra, conductor Leonard Bernstein
CD 23 - Bernstein - 01:03:22
Leonard Bernstein:
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01. Nocturne «Halil» (for solo flute, string orchestra and percussion) (16:13)
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Mass: 3 Meditations (for violoncello & orchestra) (17:04):
02. I. Lento assai, molto sostenuto (04:33)
03. II. Andante sostenuto – Variations I–IV – Coda (04:08)
04. III. Presto – Fast and primitve – Molto adagio (08:22)
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Symphonic suite «On the waterfront» (21:48):
05. Andante (with dignity) – Presto barbaro (03:18)
06. Adagio – Allegro molto agitato – Alla breve (Poco più mosso) – Presto come prima (02:23)
07. Andante largamente – More flowing – Lento (05:11)
08. Moving forward – Largamente – Andane come prima (03:45)
09. Allegro non troppo, molto marcato – Poco più sostenuto (04:44)
10. A tempo (Poco più sostenuto) (02:25)
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Prelude, fugue and riffs (for solo clarinet and jazz ensemble) (08:15):
11. Prelude (for the brass): Fast and exact (03:45)
12. Fugue (for the saxes): Exactly the same beat (04:44)
13. Riffs (for everyone) (02:25)
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Live recording: Tel Aviv, Frederic R. Mann Auditorium, May 1981 (1–10);
Vienna, Musikverein, Großer Saal, October 1988 (11–13)
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Jean-Pierre Rampal, flute (tr. 1)
Mstislav Rostropovich, violoncello (tr. 2–4)
Peter Schmidl, clarinet (tr. 11–13)
Israel Philharmonic Orchestra (tr. 1–10), Wiener Philharmoniker (tr. 11–13), conductor Leonard Bernstein
CD 24 - Gershwin, Bernstein - 00:44:43
George Gershwin:
01. Rhapsody in blue (orchestration by Ferde Grofé) (17:15)
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02. Prelude for Piano No.2 (encore) (04:31)
Leonard Bernstein:
West Side Story: Symphonic dances (22:56):
03. Prologue. Allegro moderato (04:06)
04. «Somewhere». Adagio (04:34)
05. Scherzo. Vivace leggiero (01:20)
06. Mambo. Presto (02:21)
07. Cha-cha. Andantino con grazia (00:51)
08. Meeting scene. Meno mosso (00:49)
09. Cool, fugue. Allegretto (03:44)
10. Rumble. Molto allegro (01:55)
11. Finale. Adagio (03:13)
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Live recording: San Francisco, Davies Symphony Hall, July 1982
Los Angeles Philharmonic, pianist (tr. 1, 2) & conductor Leonard Bernstein
CD 25 - Del Tredici, Rorem, Bernstein - 01:12:00
David Del Tredici:
Tattoo (for orchestra) (18:16):
01. I. Moderato maestoso – Più mosso, piacevole – Con brio – Meno mosso – attacca (10:04)
02. II. Omaggio a Nicolò Paganini (08:11):
Meno mosso, flessibile – Allegro – Meno mosso, amoroso – Vivace – Doppio mov. (Tempo primo)
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Ned Rorem:
Violin Concerto (23:44):
03. I. Twilight. Free and spacious – attacca (03:05)
04. II. Toccata-Chaconne. Very fast (03:16)
05. III. Romance without words. Hardly moving (02:52)
06. IV. Midnight. Slow (06:48)
07. V. Toccata-Rondo. Very fast (02:36)
08. VI. Dawn. Wistful (05:05)
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Leonard Bernstein:
«Jubilee games» (concerto for orchestra) (30:00):
09. I. Free-style events. Allegro con brio, giocoso (07:26)
10. II. Mixed doubles. Theme and 7 variations (10:31)
11. III. Diaspora dances. Vivace (06:13)
12. IV. Benediction. Moderato, invocando (05:50)
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Live recording: New York City, Avery Fischer Hall, November 1988 (1–8);
Tel Aviv, Frederic R. Mann Auditorium, June 1988 & April 1989 (9–12)
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Gidon Kremer, violin (tr. 3–8)
José Eduardo Chama, baritone (tr. 9–12)
Peter Schmidl, clarinet (tr. 11–13)
New York Philharmonic (tr. 1–8), Israel Philharmonic Orchestra (tr. 9–12), conductor Leonard Bernstein
CD 26–27 - Bernstein: Candide - 01:51:34
Leonard Bernstein: Candide
(adapted from Voltaire and the book by Hugh Wheeler; orchestrated by Leonard Bernstein & Hershy Kay)
Дата записи: 1989 (final revised version)
Jerry Hadley – Candide
June Anderson – Cunegonde
Adolph Green – Dr. Pangloss / Martin
Christa Ludwig – Old Lady
Nicolai Gedda – Governor / Vanderdendur / Ragotski
Della Jones – Paquette
Kurt Ollmann – Maximilian / Captain
Clive Bayley – Beer-Keeper / Inquisitor / Tsar Ivan
Neil Jenkins – Cosmetic Merchant / Inquisitor / Prince Charles Edward
Lindsay Benson – Doctor / Inquisitor / King Stanislaus
Richard Suart – Junkman / Inquisitor / King Hermann Augustus
John Treleaven – Alchemist / Inquisitor / Sultan Achmet / Crook
London Symphony Chorus, music director Richard Hickox, chorus master Simon Joly
London Symphony Orchestra, assistant conductor Justin Brown, conductor Leonard Bernstein
CD26 - Act I - 01:00:45
Act I
01. 1. Overture (04:29)
02. 1a. Westphalia chorale (chorus) (01:00)
03. 2. Life is happiness indeed (Candide, Maximilian, Cunegonde, Paquette) (02:59)
04. 3. The best of all possible worlds (Pangloss, Candide, Cunegonde, Maximilian, Paquette) (02:42)
05. 3a. Universal good (Cunegonde, Paquette, Candide, Maximilian) (00:55)
06. 4. Oh, happy we (Candide, Cunegonde) (02:04)
07. 5. It must be so (Candide's meditation) (Candide) (02:15)
08. 6. Westphalia (chorus) (00:53)
09. 6a. Battle music (00:55)
10. 7. Candide's lament (Candide) (06:21)
11. 8. Dear boy (Pangloss, chorus) (04:20)
12. 9. Auto-da-fé (What a day) (chorus, Bear-Keeper, Cosmetic Merchant, Doctor, Junkman, Alchemist, Pangloss, Candide, Grand Inquisitor, Inquisitors) (07:55)
13. 10.a Candide begins his travels (03:11)
13. 10a. It must be me (Candide's second meditation) (Candide)
14. 11. The Paris waltz (03:17)
15. 12. Glitter and be gay (Cunegonde) (06:48)
16. 13. You were dead, you know (Candide, Cunegonde) (03:01)
17. 14. I am easily assimilated (Old Lady's tango) (Old Lady, chorus) (04:13)
18. 15. Quartet finale (Candide, Cunegonde, Old Lady, Captain, chorus) (03:24)
Recording: London, Abbey Road Studio 1, December 1989
CD27 - Act II - 00:50:49
Act II
01. 16. Universal good (chorus) (01:07)
02. 17. My love (Governor's serenade) (Governor, Cunegonde) (02:29)
03. 18. We are women (Polka) (Cunegonde, Old Lady) (03:34)
04. 19. The pilgrim's procession / Alleluia (Maximilian, Paquette, Candide, chorus) (02:41)
05. 20. Quiet (Old Lady, Governor, Cunegonde) (04:18)
06. 21. Introduction to Eldorado (01:17)
07. 22. The ballad of Eldorado (Candide, chorus) (03:47)
08. 23. Words, words, words (Martin's laughing song) (03:11)
09. 24. Bon voyage (Vanderdendur, chorus) (02:43)
10. 25. The Kings' barcarolle (Charles Edward, Candide, Hermann, Augustus, Pangloss, Sultan Achmet, Tsar Ivan, Stanislaus) (03:53)
11. 26. Money, money, money (Venice gambling scene) (Croupier, Ferone, chorus) (00:44)
12. 27. What's the use (Old Lady, Ragotski, Maximilian, Crook, chorus) (04:30)
13. 28. The Venice gavotte (Croupier, Pangloss, Old Lady, Candide, Cunegonde) (04:25)
14. 29. Nothing more than this (Candide) (04:03)
15. 30. Universal good (chorus) (02:23)
16. 31. Make our garden grow (Finale) (Candide, Cunegonde, Old Lady, Paquette, Governor, Maximilian, Pangloss, chorus) (05:43)
Recording: London, Abbey Road Studio 1, December 1989
CD 28 - Bernstein - 01:16:36
Leonard Bernstein:
West Side Story
(based on a conception by Jerome Robbins, book by Arthur Laurents,
orchestrated by Leonard Bernstein with Sid Ramin & Irwin Kostal):
Act I
01. 1. Prologue (04:07)
02. 2. Jet song (Riff, Jets) (03:12)
03. 3. Something's coming (Tony) (02:35)
04. 4. The dance at the gym: Blues (01:46)
05. 4. Promenade (00:27)
06. 4. Mambo (02:22)
07. 4. Cha-cha (00:53)
08. 4. Meeting scene (Tony, Maria) (01:26)
09. 4. Jump (00:50)
10. 5. Maria (Tony) (02:57)
11. 6. Tonight (Balcony scene) (Tony, Maria) (07:33)
12. 7. America (Anita, Rosalia, girls) (04:49)
13. 8. Cool (Riff, Jets) (04:40)
14. 9. One hand, one heart (Tony, Maria) (05:40)
15. 10. Tonight (ensemble) (Riff, Bernardo, Anita, Tony, Maria, Sharks, Jets) (03:43)
16. 11. The rumble (03:03)
Act II
17. 12. I feel pretty (Maria, girls) (03:25)
18. 13. Ballet sequence: beg. (Tony, Maria) (01:05)
19. 13. Transition to scherzo (00:37)
20. 13. Scherzo (01:31)
21. 13. Somewhere (a girl) (02:37)
22. 13. Procession and nightmare (entire company) (03:14)
23. 14. Gee, Officer Krupke (Jets) (04:20)
24. 15. A boy like that (Anita, Maria) (02:06)
25. 15. I have a love (Maria, Anita) (03:29)
26. 16. Taunting scene (01:25)
27. 17. Finale (Maria, Tony) (02:36)
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Recording: New York City, RCA Studio A, September 1984.
Kiri Te Kanawa – Maria
José Carreras – Tony
Tatiana Troyanos – Anita
Kurt Ollmann – Riff
Louise Edelken – Rosalia
Angelina Réaux – Francisca
Stella Zambalis – Consuelo
David Livingston – Action
Marty Nelson – Diesel
Stephen Bogardus – Baby John
Peter Thom – A-rab
Todd Lester – Snowboy
Richard Harrell – Bernardo
and Marilyn Horne singing «Somewhere»
Dialogue: Nina Bernstein (Maria), Alexander Bernstein (Tony)
Chorus: Adrienne Albert, June Magruder, Juliana Gondek, Carmen Cornier,
John Kuether, Darryl Tookes, Charles Magruder, Tony Wells
Orchestra & chorus conducted by Leonard Bernstein
CD 29–30 - Bernstein: A quiet place - 02:29:05
Leonard Bernstein:
Opera in 3 acts «A quiet place»
(libretto: Stephen Wadsworth)
incorporating Trouble in Tahiti:
1986
Chester Ludgin – Old Sam
Beverly Morgan – Dede
John Brandstetter – Junior
Peter Kazaras – François
Jean Kraft – Susie
Theodor Uppman – Bill
Clarity James* – Mrs. Doc
John Kuether* – Doc
Charles Walker* – Funeral Director
Douglas Perry – Amalyst
Wendy White – Dinah
Edward Crafts – Young Sam
Louise Edeiken, Mark Thomson & Kurt Ollmann – Trio
Vocal Ensemble, prepared by Donald St. Pierre:
Gwyneth Bean, Joel Eckhardt, Frederick Greene, Richard Harrell*, Judith Kennan Williams, George Kondaxis, Paul Kreider, James Mahady, Janet Northway, Linda Pavelka, James Ramlet, Angelina Réaux*, David Ronis, Tracey Sampels, Kim Scown, Yehudit Silcher, Catherine Stoltz*, Lauren Wagner, Linda Watson, Clifford Williams, Richard Williams, Lynnen Yakes
* Also prologue speaker
ORF-Symphonie-Orchester, conductor Leonard Bernstein
CD29 - Acts I–II - 01:14:56
Act I
Prologue
01. Chorale: «The path of truth is plain and safe» (chorus, voices in the darkness) (04:06)
Scene
02. Dialogues: «I'm sorry, Bill» (Funeral Director, Bill, Susie, Analyst, Doc, chorus, Mrs. Doc, Dede, François) (17:57)
03. Readings: «Who can find a virtuous women?» (Doc, Mrs. Doc, Dede, chorus, Bill, Susie, François, Junior, Funeral Director, Analyst) (06:55)
03. Chorale: «God has his ways» (chorus)
04. Aria: «You're late» (Sam) (04:46)
05. Trio: «Dear daddy» (Junior, Dede, François) (03:44)
06. Finale: «Merry Christmas to you too» (Junior, Sam, Dede, François) (02:33)
07. Postlude (05:00)
Act II (beg.)
Scene 1
08. «I wish I could sleep» (Sam) (02:48)
Scene 2: Trouble in Tahiti (I)
09. Doa – Daa – Day – Day (Trio) (03:31)
10. «How could you say» (Young Sam, Dinah) (05:55)
11. «Yes? Oh, Mr. Partridge!» (Young Sam, Trio) (03:02)
12. «I was standing in a garden» (Dinah, Young Sam) (08:08)
13. «Well, of all people» (Young Sam, Dinah) (06:25)
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.................................................Live recording: Vienna, Staatsoper, April 1986
CD30 - Acts II–III - 01:14:08
Act II (end)
Scene 3
01. «June twelfth» (Sam, Dede, François, Junior, chorus) (05:43)
02. «But first I'd like to sing you a little song» (Junior, François, Dede, chorus, Sam) (02:13)
03. Quartet: «My God, Dinah» (Sam, Dede, François, Junior) (04:49)
04. Love scene: «There is so much. Too much» (François, Dede) (06:58)
04. Chorale: «The path of truth is plain and safe» (chorus)
Scene 4: Trouble in Tahiti (II)
05. «Skid a lit day» (Trio) (01:58)
06. «There's a law» (Young Sam) (04:02)
07. «What a movie!» (Dinah, Trio) (05:00)
08. «There's a law» (Young Sam, Trio, Dinah, chorus) (08:18)
Act III
09. Prelude (05:50)
Scene
10. «Morning! Good morning» (Dede) (03:57)
11. «The one and only cereal» (Junior, Dede, chorus) (03:50)
12. Tag 1: «You're ... it!» (Junior, Dede, François) (05:34)
12. Trio: «... around. Happy twenty-first birthday» (Junior, Dede, François, chorus)
12. Tag 2: «Come on, Dede, it's your turn!» (Junior, Sam, Dede, François, chorus)
13. «Hmm. Bye bye» (voice [Dinah], Sam, Junior, Dede, François, chorus) (07:31)
14. «My heart shall be ... thy ... garden» (Dede, Junior, Sam, chorus, François) (08:20)
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.................................................Live recording: Vienna, Staatsoper, April 1986
CD 31–32 - Bizet: Carmen - 02:40:09
Georges Bizet:
Opera in 4 acts «Carmen»
(libretto: Henri Meilhac & Ludovic Halévy after the novel by Prosper Mérimée)
Дата записи: 1972
Исполнители: Marilyn Horne – Carmen
James McCracken – Don José
Tom Krause – Escamillo
Adriana Maliponte – Micaëla
Colette Boky – Frasquita
Marcia Baldwin – Mercédès
Donald Gramm – Zuniga
Russell Christopher – Lillas Pastia
Andrea Velis – Remendado
Russell Christopher – Dancaïre
Raymond Gibbs – Moralès
The Metropolitan Opera Orchestra and Children's Chorus,
The Manhattan Opera Chorus, chorus master & assistant conductor John Mauceri,
conductor Leonard Bernstein
CD31 - Acts I–II - 01:19:32
01. Prelude (04:20)
Act I
02. No. 1 Introduction: «Sur la place, chacun passe» (chorus, Moralès, Micaëla) (06:02)
03. No. 2 March and chorus of urchins: «Allez, dépêchez-vous! ... Avec la garde montante» (Moralès, chorus of urchins, Zuniga, Don José) (04:32)
04. «Dites-moi, brigadier?» (Zuniga, Don José) (00:46)
05. No. 3 Chorus and scene: «Voici la cloche qui sonne ... La cloche a sonné» (Don José, chorus) (06:05)
06. «Mais nous ne voyons pas la Carmencita» (chorus, Carmen) (01:13)
07. No. 4 Habanera: «L'amour est un oiseau rebelle» (Carmen, chorus) (04:51)
08. No. 5 Scene: «Carmen, sur tes pas» (chorus) (02:28)
09. «Monsieur le brigadier?» (Micaëla, Don José) (09:24)
09. No. 6 Duet: «Parle-moi de ma mère!» (Don José, Micaëla)
10. «Attends un peu maintenant» (Don José, Micaëla) (00:21)
11. No. 7 Chorus: «Eh bien! Qu'est-ce qui arrive? ... Au secours!» (chorus, Zuniga) (03:39)
12. «Eh bien, brigardier?» (Zuniga, Don José) (04:01)
12. No. 8 Chanson and melodrama: «Tra la la la...» (Carmen, Zuniga, chorus, Don José)
13. No. 9 Chanson and duet: «Près des remparts de Séville» (Carmen, Don José) (04:56)
14. No. 10 Finale: «Le lieutenant! Prenez garde! ... L'amour est enfant de Bohème» (Don José, Zuniga, Carmen) (02:38)
15. Entr'acte (01:43)
Act II (beg.)
16. No. 11 Chanson: «Les tringles des sistres tintaient» (Carmen, Frasquita, Mercédès) (04:50)
17. «Mon Dieu, messieurs, il commence à se faire tard» (Pastia, Zuniga, Mercédès, Carmen) (00:35)
18. No. 12 Chorus and ensemble: «Vivat le toréro!» (chorus, Zuniga, Mercédès, Frasquita, Pastia) (01:26)
19. No. 13 Couplets: «Votre toast» (Escamillo, Carmen, Pastia, Zuniga) (05:32)
20. «Dis-moi ton nom» (Escamillo, Carmen, Pastia, Zuniga) (00:41)
21. No. 13bis Chorus: «Toréador, en garde» (01:07)
22. «Eh bien, les nouvelles?» (Frasquita, Dancaïre, Remendado, Mercédès) (00:30)
23. No. 14 Quintet: «Nous avons en tête une affaire» (Dancaïre, Frasquita, Mercédès, Carmen, Remendado) (04:27)
24. «Amoureuse... ce n'est pas une raison, cela» (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) (03:15)
24. No. 15 Chanson: «Halte-là! Qui va là?» (Don José)
24. «Écoutez, le voilà» (Carmen, Mercédès, Remendado, Dancaïre)
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Recording: New York City, Manhattan Center, September & October 1972
CD32 - Acts II–IV - 01:20:36
Act II (end)
01. No. 16 Duet: «Je vais danser en votre honneur» (Carmen, Don José) (06:03)
02. «La fleur que tu m'avais jetée» (Don José) (04:29)
03. «Non, tu ne m'aimes pas!» (Carmen, Don José) (04:29)
04. No. 17 Finale: «Holà! Carmen!» (05:31)
05. Entr'acte (03:01)
Act III
06. No. 18 Introduction: «Écoute, compagnon ... Notre metier est bon» (chorus, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado) (04:25)
07. «Voyons, Carmen ... faisons la paix» (Don José, Carmen) (00:47)
08. No. 19 Trio: «Mêlons! Coupons!» (Frasquita, Mercédès, Carmen) (02:53)
09. «Carreau, pique ... la mort! ... En vain, pour éviter les réponses amères» (Carmen) (03:54)
10. «Parlez encore, parlez, mes belles» (Frasquita, Mercédès, Carmen) (00:44)
11. «The one and only cereal» (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José) (00:51)
12. No. 20 Ensemble: «Quant au douanier» (Frasquita, Mercédès, Carmen, chorus) (03:37)
13. No. 21 Aria: «Je dis que rien ne m'épouvante» (Micaëla) (05:22)
14. «Qui va là?» (Don José) (03:47)
14. No. 22 Duet: «Je suis Escamillo» (Escamillo, Don José)
15. No. 23 Finale: «Holà! holà! José!» (Carmen, Escamillo, Dancaïre, Don José, chorus, Micaëla) (03:15)
16. «Moi? Je viens te chercher» (Micaëla, Carmen, Don José, chorus, Escamillo) (05:13)
17. Entr'acte (02:24)
Act IV
18. No. 24 Chorus: «À deux cuartos!» (02:15)
19. No. 25 Chorus and scene: «Les voici! Voici la quadrille» (chorus) (04:16)
20. «Si tu m'aimes, Carmen» (Escamillo, Carmen, chorus) (02:06)
21. «Carmen, un bon conseil» (Frasquita, Carmen, Mercédès) (01:53)
22. No. 26 Final duet: «C'est toi! – C'est moi!» (Carmen, Don José, chorus) (09:12)
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Recording: New York City, Manhattan Center, September & October 1972
CD 33 - Brahms - 00:52:06
Johannes Brahms:
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Symphony No. 1 in C minor, op. 68 (52:06):
1. I. Un poco sostenuto – Allegro (17:35)
2. II. Andante sostenuto (10:58)
3. III. Un poco allegretto e grazioso (05:37)
4. IV. Adagio – Allegro non troppo, ma con brio (17:54)
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***
Live recording: Vienna, Musikverein, Großer Saal, November 1981
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Gerhard Hetzel, violin solo
Wiener Philharmoniker, conductor Leonard Bernstein
CD 34 - Brahms - 00:58:59
Johannes Brahms:
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Symphony No. 2 in D major, op. 73 (48:37):
1. I. Allegro non troppo (20:45)
2. II. Adagio non troppo – L'istesso tempo, ma grazioso (12:01)
3. III. Allegretto grazioso (Quasi andantino) – Presto ma non assai – Tempo I (05:33)
4. IV. Allegro con spirito (10:17)
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5. Academic festival overture, op. 80 (10:21)
Allegro – L'istesso tempo, un poco maestoso – Animato – Maestoso
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***
Live recording: Vienna, Musikverein, Großer Saal, October 1981 (tr. 5), September 1982 (tr. 1–4)
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Wiener Philharmoniker, conductor Leonard Bernstein
CD 35 - Brahms - 01:02:43
Johannes Brahms:
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Symphony No. 3 in F major, op. 90 (42:17):
1. I. Allegro con brio (15:37)
2. II. Andante (09:44)
3. III. Poco allegretto (07:09)
4. IV. Allegro (09:46)
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5. Variations in B flat major on a theme by Joseph Haydn, op. 56a (20:25)
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***
Live recording: Vienna, Musikverein, Großer Saal, February 1981 (tr. 1–4), October 1981 (tr. 5)
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Wiener Philharmoniker, conductor Leonard Bernstein
CD 36 - Brahms - 00:58:27
Johannes Brahms:
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Symphony No. 4 in E minor, op. 98 (44:12):
1. I. Allegro non troppo (13:24)
2. II. Andante moderato (12:47)
3. III. Allegro giocoso – Poco meno presto – Tempo I (06:14)
4. IV. Allegro energico e passionato – Più allegro (11:46)
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5. Tragic overture, op. 81 (14:15)
Allegro non troppo – Molto più moderato – Tempo primo
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***
Live recording: Vienna, Musikverein, Großer Saal, October 1981
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Wiener Philharmoniker, conductor Leonard Bernstein
CD 37 - Brahms - 00:54:08
Johannes Brahms:
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Concerto for Piano and Orchestra No. 1 in D minor, op. 15 (54:08):
1. I. Maestoso – Poco più moderato (24:39)
2. II. Adagio (16:28)
3. III. Rondo. Allegro non troppo (12:59)
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***
Live recording: Vienna, Musikverein, Großer Saal, November 1981
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Krystian Zimerman, piano
Wiener Philharmoniker, conductor Leonard Bernstein
CD 38 - Brahms - 00:51:16
Johannes Brahms:
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Concerto for Piano and Orchestra No. 2 in B flat major, op. 83 (51:16):
1. I. Allegro non troppo (18:21)
2. II. Allegro appassionato (09:20)
3. III. Andante (14:31)
4. IV. Allegretto grazioso (09:03)
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***
Live recording: Vienna, Musikverein, Großer Saal, October 1984
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Krystian Zimerman, piano
Wiener Philharmoniker, conductor Leonard Bernstein
CD 39 - Brahms - 01:13:50
Johannes Brahms:
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Concerto for Violin and Orchestra in D major, op. 77 (38:36):
1. I. Allegro non troppo (Cadenza: Max Reger's Prelude in D minor, op. 117/6) (22:10)
2. II. Adagio (08:54)
3. III. Allegro giocoso, ma non troppo vivace – Poco più presto (07:31)
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Concerto for Violin, Violoncello and Orchestra in A minor, op. 102 (35:14):
4. I. Allegro (17:56)
5. II. Andante (08:24)
6. III. Vivace non troppo (08:54)
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***
Live recording: Vienna, September 1982, Konzerthaus (tr. 1–3), Musikverein, Großer Saal (tr. 4–6)
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Gidon Kremer, violin
Mischa Maisky, violoncello
Wiener Philharmoniker, conductor Leonard Bernstein
CD 40 - Bruckner - 01:06:08
Anton Bruckner:
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Symphony No. 9 in D minor [Edition: Leopold Nowak] (01:06:08):
1. I. Feierlich. Misterioso (26:58)
2. II. Scherzo. Bewegt, lebhaft – Trio. Schnell (12:14)
3. III. Adagio. Langsam, feierlich (26:56)
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pass: sanjose72
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